Travel To Spain

Sagrada La Familia

Sagrada Família, is a large Roman Catholic church in Barcelona, Catalonia, Spain, designed by Catalan architect Antoni Gaudí (1852–1926). Although incomplete, the church is a UNESCO World Heritage Site,and in November 2010 was consecrated and proclaimed a minor basilica by Pope Benedict XVI.

Though construction of Sagrada Família had commenced in 1882, Gaudí became involved in 1883, taking over the project and transforming the project with his architectural and engineering style—combining Gothic and curvilinear, Art Nouveau forms with ambitious structural columns and arches.

Gaudí devoted his last years to the project and at the time of his death in 1926, less than a quarter of the project was complete.agrada Família's construction progressed slowly as it relied on private donations and was interrupted by the Spanish Civil War—only to resume intermittent progress in the 1950s. Construction passed the mid-point in 2010 with some of the project's greatest challenges remaining and an anticipated completion date of 2026—the centennial of Gaudí's death. The basílica has a long history of dividing the citizens of Barcelona—over the initial possibility it might compete with Barcelona's cathedral, over Gaudí's design itself,over the possibility that work after Gaudí's death disregarded his design, and the recent possibility that an underground tunnel of Spain's high-speed train could disturb its stability.

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Casa Milà, better known as La Pedrera (Catalan for 'The Quarry'), is a building designed by the Catalan architect Antoni Gaudí and built during the years 1905–1910, being considered officially completed in 1912. It is located at 92, Passeig de Gràcia (passeig is Catalan for promenade) in the Eixample district of Barcelona, Catalonia, Spain.

It was built for the married couple, Rosario Segimon and Pere Milà. Rosario Segimon was the wealthy widow of José Guardiola, an Indiano, a term applied locally to the Catalans returning from the American colonies with tremendous wealth. Her second husband, Pere Milà, was a developer who was criticized for his flamboyant lifestyle and ridiculed by the contemporary residents of Barcelona, when they joked about his love of money and opulence, wondering if he was not rather more interested in "the widow’s guardiola" (piggy bank), than in "Guardiola’s widow".

Gaudi, a Catholic and a devotee of the Virgin Mary, planned for the Casa Milà to be a spiritual symbol. Overt religious elements include an excerpt from the Rosary prayer on the cornice and planned statues of Mary, specifically Our Lady of the Rosary, and two archangels, St. Michael and St. Gabriel. The design by Gaudi was not followed in some aspects. The local government objected to some aspects of the project, fined the owners for many infractions of building codes, ordered the demolition of aspects exceeding the height standard for the city.

Casa Batlló is a building restored by Antoni Gaudí and Josep Maria Jujol, built in the year 1877 and remodelled in the years 1904–1906; located at 43, part of the Illa de la Discòrdia (the "Block of Discord") in the Eixample district of Barcelona, Spain. Gaudí's assistants Domènec Sugrañes i Gras , Josep Canaleta y Joan Rubió also contributed to the renovation project.

The local name for the building is Casa dels ossos (House of Bones), and indeed it does have a visceral, skeletal organic quality. It was originally designed for a middle-class family and situated in a prosperous district of Barcelona.

The building looks very remarkable — like everything Gaudí designed, only identifiable as Modernisme or Art Nouveau in the broadest sense. The ground floor, in particular, is rather astonishing with tracery, irregular oval windows and flowing sculpted stone work.

It seems that the goal of the designer was to avoid straight lines completely. Much of the façade is decorated with a mosaic made of broken ceramic tiles  that starts in shades of golden orange moving into greenish blues. The roof is arched and was likened to the back of a dragon or dinosaur. A common theory about the building is that the rounded feature to the left of centre, terminating at the top in a turret and cross, represents the lance of Saint George (patron saint of Catalonia, Gaudi's home), which has been plunged into the back of the dragon.